SO IT SEEMS 2006 - 2008
These images are both hallucinatory and real. Within them, organic chimeras oscillate on a sea of white, a paradox of intimacy and vastness. Gravity and movement are the source of many of the forms. India Ink and clayboard undergo episodes of interaction and dynamic change. The surface then becomes one of infinite detail. The relative passage of time is measured as some elements are abraded and washed down, while others are left whole and untouched. “Genetic” material is transferred when wet surfaces press into each other. Sliced fragments migrate, making new connections. Multiple panels combine, recombine, and finally fuse into an evocative syntactic order.